May 242011
 

When you hear of a rock band called Afterlife Parade releasing an EP called Death, it might be easy to get the wrong idea–like something dark, macabre, gothic.  But that’s not the case at all with this band. It actually started as a project by Nashville singer/songwriter Quinn Erwin who was trying to process a series of losses that hit close to home. The result is a themed EP that actually takes the listener on a journey processing that sense of loss that death can bring…and musically and thematically, I have to say, I find it brilliant.

Dealing with death in any capacity musically can be a huge risk. Lean too far one way, and you’ll be dark and depressing–and lean too far the other, and you’ll come off as trite.  This record, in my opinion, falls right into the perfect groove between those two extremes, being engaging both lyrically and musically.

I’ve shared the first full track, “Death,” but really this is an EP that should be listened to all the way through. Thankfully, at the present time the full EP is available for free download from the band’s Bandcamp page.

Apparently, Death is just part one of the journey of Afterlife Parade.  A followup EP, Rebirth, is due out soon. After hearing this one…I can’t wait.

Afterlife Parade: “Death”

Download the Death EP from Afterlife Parade here:

May 152011
 

Many people might be more familiar with the name Boulder Acoustic Society than they are with the name Aaron Keim. That’s because Boulder Acoustic Society has been making a name for itself as a progressive band in the bluegrass/roots/neo-folk world over the past several years.

But Keim (who happens to be the founder of B.A.S.) goes by yet another moniker when he’s flying solo: The Quiet American. And as The Quiet American, he has just released his second solo project, aptly titled The Quiet American, Vol. II. And if you listen to the record, and know a little of his story, you’ll discover that Aaron Keim is an old soul putting a modern twist on folk.

Perhaps the most interesting aspect to Keim’s work is that he literally brings history to life in the way he tackles his music. First of all–he makes most of his own instruments.  Secondly, the first installment of The Quiet American was initially recorded on a wax cylinder from the 1890’s (the new release uses more modern methods, but has a historic feel, nonetheless). And third–Keim isn’t afraid to weave traditional bluegrass tunes in with his original stuff.  Vol. II has a healthy blend of both.

And yet, somehow in bringing the past to life, by weaving subtle modern indie-rock elements into his stuff, Keim breathes new life into the music–and what is old is new again.  Pretty amazing, when you think about it.

But don’t take my word for it.  Have a listen to the opening track below.

The Quiet American: “I Will Be the One”

Buy The Quiet American, Vol. II on iTunes:
The Quiet American, Vol. II - The Quiet American

May 012011
 

So I just got a listen to Diamonds & Gold, the new EP from Ft. Collins-based post-punk band Wire Faces released in March. I must say I’m surprised that they haven’t shown up on my radar before now. (Not that I’m omniscient or anything…)

Let’s just say it takes a little innovation for a three-piece band to fill the sonic space the way these guys do–they make drums, bass and guitar go a long way, both in musicianship and energy, giving off the pleasant illusion that you’re listening to a bigger band, when actually you’re hearing three guys playing the heck out of three instruments.

As to musical style–to me, Wire Faces has a neo-retro vibe vaguely reminiscent of The Killers, except more guitar driven (i.e., no synth), and a lot less tame. Vocalist/drummer Shane Zweygart, who handles most of the vocal work, frequently lets his voice fly passionately into pitchy territory, but does so in such a way that is actually quite satisfying.

Take a listen to the track “Tame You” from the new EP, and watch the video below from Wire Faces’ first record. See what you think.

Wire Faces: “Tame You”

Download Diamonds & Gold:

Diamonds & Gold - EP - Wire Faces