So for the rest of you who were listening in on my iconoClass pep talk–the band will be playing their next show at Old Curtis Street Bar in downtown Denver on January 7, 2010. Don’t take my word for it; go hear a band in formation. (They promised the audience here they would sing next time.)
The surprise of the evening was the opening act, a newer band simply called “Churchill.” To tell you the truth, at first, they seemed the most unlikely candidates to win over an indie rock crowd. The four guys and two girls opened their set with “Please come my way, Lord/Please come my way”, in gospelly four-part harmony underlaid only with a bass/snare drumbeat.
Huh? I thought I was at a rock concert, I thought. This looks and sounds like something from my old youth group. But that impression only lasted a moment. From there, they launched into an innovative jazzy sound that still sounded a bit gospelly-bluegrassy, but very, very cool. And things only got better from there.
Based on hearing this one performance, and their freshly-released EP–I’d say Churchill’s strongest asset at the moment is that they have an incredibly solid drum/bass combination. These two instruments form the backbone of pretty much any modern band, and the strength of these pieces (or lack thereof) can make or break a band. That said–this band has one of the strongest backbones of any new band I’ve ever heard, and it gives them a great foundation to build on.
Another thing they have going for them is their songwriting. The tunes are memorable, great melodies, great lyric. I know a song is good when it stays in my head. Their stuff stayed there for days.
Their weak spot–at least that evening–was the vocals. Where the drums/bass were on the mark, the vocals drifted a bit. I say this guardedly because their vocals were much stronger on the EP–so I know they are capable. For whatever reason, it didn’t always translate into their live performance. Whether that’s a consistent issue can’t be determined until I see them play again.
And I would definitely go see them again.
If you’re following this blog (thank you if you are), you probably can already tell that good music excites me. So does real potential. I see in Churchill, not a band who has arrived–but a band that is certainly on their way. They have the raw materials, the oomph, to take them places–the potential to really become something special.
Churchill is a band to watch–and I’m going to look forward to watching how things go for them.
OOMPH scale: 7.5
As usual, there is much live music to choose from in Denver this weekend, including lots of local talent. Here are a few of the more promising prospects, to help narrow the search.
FRIDAY, NOVEMBER 6
The Rouge, a local indie band with a growing following, will be playing at the Marquis Theater tonight at 7:30 PM, along with The Still City, Snake Rattle Rattle Snake, and Churchill. This is all-ages event! Tickets are $10 each, available from Soda Jerk Presents. The Marquis Theater is located at 2009 Larimer St. in Denver.
Swallow Hill presents Solas, touted as one of the best Irish/Celtic bands around, at the L2 Arts and Culture Center, 1477 Colombine St. in Denver. Also appearing is Alaskan bluegrass band Bearfoot. Tickets are $25 for Swallow Hill members, $27 for non-members, available from Swallow Hill. Show starts at 8:00 PM.
SATURDAY, NOVEMBER 7
Regina Spektor has made quite a splash in the music scene in the past couple of years with her unique brand of acoustic alternative music. She’ll be appearing Saturday at the Fillmore Auditorium, 1510 Clarkson St. in Denver. Tickets are $32, available from livenation.com. Service charge may apply. This is a show for ages 16 and up; start time is 8:00 PM.
Local Americana-folk band Jonny Woodrose & the Brokenhearted Woodpeckers is having a CD release party at Larimer Lounge, 2721 Larimer St. in Denver. Also scheduled to appear are Tailored Rags, The Widow’s Bane and Murcureria. Cover charge is $7.00; show starts at 9:00 PM. (Jonny Woodrose is scheduled to start playing around midnight. Count on ages 21 and up for this show.)
Also remember…this weekend is the start of Denver Arts Week! Support the arts by supporting your local musicians.
Excerpted from my article on Examiner.com:
Bigwheel Electrosoul, an active Denver band combining soul and electronica, has been invited to participate in the first ever Japan Music Week, an international music festival taking place in Tokyo November 9 through 15. To represent Denver and Colorado for the event, they need to raise their own funds, and they are asking you, the public, for your help….
So last Saturday I went to the Meadowlark to catch Danielle Ate the Sandwich (whom I profiled here and here). Her set was great, as expected. Go see her. Buy her records–“or die!” (as she comically warned the audience).
But that’s not what I want to talk about. I pretty much knew Danielle would be entertaining. The surprise of the night was these guys shown in the video below–an indie band from Wisconsin called The Daredevil Christopher Wright, who breezed in for the night and opened the bill.
Several things impressed me about this band. First, they pretty much defied labeling–you just haven’t heard anyone quite like them, and none of their songs seems to sound quite the same. There is a retro vibe pervading their stuff, but also a great deal of innovation and integration of styles. It was sort of like Buddy Holley meets Death Cab for Cutie, and together they sort of crash into an unknown rockabilly band. In the jungle. And this is what comes out. I dig that.
Second–they were tight and accurate. Despite the hodgepodge of styles and experimentation, they were on beat together, and were playing together, not separately. The mark of great musicianship.
Third–I love it when bands focus on their vocals. Too many upstarts just want to jam on their guitars and think that if they play loud enough, no one will notice their vocals suck. These guys not only sing well, but they all sing well together. Three strong vocals, on pitch and on cue. You just don’t see that very often.
I’m not saying everyone will like them. But they are interesting. Don’t you think?
The only downside: none of them is named Christopher Wright. Kind of confusing.
Not really.
OOMPH Scale: 6.8
I’ve had a house full of the flu this week, and I am not feeling too hot myself…but this is something I’ve wanted to get going, and somehow I found the time to start.
On Fridays, whenever it’s feasible, I plan to post “weekend picks” for live music in the Denver area. Among the many, many bands and artists who have shows around town (even during the week), I’m going to try and select a few weekend shows that look promising. This won’t be a comprehensive list, but if you’re in Denver looking for some live music on the weekend, this feature of the blog should (hopefully) increase the likelihood that you’ll be catching a good show.
So here’s the first go-round. Obviously I won’t be at all these, but if you go see one of these acts, be sure to leave me a comment afterward and tell me how you thought the show went. (By the way…you’ll also be able to see this list posted on my page at Examiner.com. And the list will likely get longer as the weeks go by, giving you more to choose from.)
Ready?
FRIDAY, OCTOBER 9
Danielle Ate the Sandwich
Walnut Room, 3131 Walnut Street, Denver
Quirky, funny, and entertaining, Ft. Collins folk singer Danielle Anderson has gained a considerable following with a ukelele and a good dose of attitude. Appearing with Dan Craig, Benyaro and Dovekins. Tickets are $12, available from The Walnut Room. Show starts at 8:30 PM. Ages 21+.
Hot Buttered Rum
Fox Theatre, 1135 13th St., Boulder
They’re acoustic-bluegrass; no, more like rock; well, make that jazz…you just have to hear them play. They’re actually in town for two nights; Friday’s show is for all ages, and Saturday’s is 21+. Tickets are $16.50 advance purchase, or $20 day of show, available from Fox Theatre. Shows start at 9:00 PM nightly.
SATURDAY, OCTOBER 10
Tempa and the Tantrums
Blue Moo’d Lounge, 5950 S. Platte Canyon Rd., Littleton
Blending blues and soul, the passionate lead singer of this local band is reminiscent of greats like Aretha Franklin or Janis Joplin, and is getting plenty of attention lately. $5 cover charge, show starts at 8:00 PM. All ages until 9:00.
Regret Night
D-Note, 7519 Grandview Ave., Arvada
Local alt/rock/pop band Regret Night has a reputation for putting on a lively stage show. Also appearing are TShirts 4 Tomorrow and All Bets Off. According to the band, this is a free show, but donations are accepted. Show begins at 9:00 PM. All ages.
This post is an adaptation from my recent article on Examiner.com.
September 17, 2009
Appaloosa Bar and Grill
This past Thursday in downtown Denver, the By All Means Band lit up an otherwise dark stage.
Based in Boulder, Colorado, By All Means calls its sound an Afro-beat/Funk fusion, or “Ghanerican”. Central to the band is drummer Paa Kow, a Ghana native, and three of the other bandmates studied music in Ghana. This is the second incarnation of By All Means, Kow being the only original member. Although they occasionally vocalize, the band focuses mainly on the instruments, with a clear emphasis on drums and percussion.
In the chic Appaloosa Bar and Grill, lit only by ambient room lighting and the street lamps from the windows, the stage sits just inside the front entrance so the music can spill out into the Sixteenth Street Mall. I took a seat inside, out of the way, but in view of the stage.
The band launched into its first set at 10:00 PM with a friendly number, followed by a funky cover of one of those old jazz tunes everyone recognizes but no one really knows.
With the third song, the band came to life.
Seemingly out of nowhere came the catchy opening rock riffs from guitarist Aaron Fichtner–the band’s almost-hidden hunk of dynamite–followed by a powerful blend of African and American rhythms, a strong bass line, and a trombone/saxophone duo fronting the effort. This was the first song where the band showcased the “Afro-beat” part of it’s Afro-funk fusion–complete with a head-turning percussion solo near the end. The results were captivating.
Not too long after, people were crowding the front area, and I was craning my neck to see past them. A few brave souls turned what space there was into a dance floor. Had there been room for it, certainly many more would have been dancing.
Among the few detractions from the performance, the first wasn’t entirely the band’s fault. While the street vibe of the Appaloosa is hip, the venue isn’t very conducive to dance, which this band’s sound definitely invites; so their stage presence was a bit muted because the audience didn’t have enough room. Additionally, I think By All Means would do well to stay away from cover songs, because they have enough clout with their original material to take them places covers just can’t.
That said–should you go see these guys next time they do a show in town?
By all means.
OOMPH scale: 6.5
See where By All Means is playing by visiting their MySpace page.