Hailing from Cincinnati, OH, indie-rock duo Bad Veins is one of those acts that doesn’t necessarily sound like you’d expect them to. Perhaps part of the reason is that this “duo” is more like a “trio”: there’s lead vocalist/guitarist/keyboardist Benjamin Davis; there’s drummer Sebastien Schultz; and then there’s “Irene,” a reel-to-reel tape recorder the band uses for extra tracking, both in the studio and on stage. The end result is a richer, fuller, more diverse sound that blends indie rock with pop and electronic influences reminiscent of one of several British invasions.

The Mess We’ve Made is a bit of an ironic title for Bad Veins’ sophomore LP, because the record itself is anything but messy. In song after song, the band blends multiple layers into an overall sound that is quite easy on the ears, with Davis’ Brand0n Flowers-esque voice overlaying it all.

That said, the band does have a bit of tweaking to do. The primary flaw I see with the record is basically that once you’ve heard the first three songs, you’ve pretty much got the band figured out, and there’s not much more to keep your interest. Yeah, nice layers, nice sound, nice voice–Bad Veins has that part down. Now they need better songs–songs with hooks that make you want to hit “repeat.” Bridge that gap, and you’ve got a force to be reckoned with.

The opening track of The Mess We’ve Made (“Dont’ Run,” streamable below) gives you a good idea of what to expect from the band, but I have a feeling the record itself doesn’t do justice to a live performance. Word on the street is that Bad Veins is outstanding as a live band, so I’ve also put some upcoming tour dates down below. (If you’re in the Denver area, they’re due to swing by the Hi-Dive on May 19.)

Bad Veins: “Don’t Run”

TOUR DATES:

05/18 – Lawrence, KS @ Replay Lounge
05/19 – Denver, CO @ Hi Dive
05/20 – Salt Lake City, UT @ Kilby Court
05/22 – Seattle, WA @ Barboza
05/23 – Portland, OR @ Bunk Bar
05/24 – San Francisco, CA @ Bottom of the Hill
05/25 – Santa Cruz, CA @ The Crepe Place
05/26 – Los Angeles, CA @ The Echo
05/27 – San Diego, CA @ Bar Pink
05/29 – Tempe, AZ @ The Sail Inn

One of the things I love about music blogging is when I come across “hidden treasures”–bands with a unique vibe and memorable sound that not many people know about–but should. In my view, Brooklyn-based Palomino is one of those bands.

Citing influences from late 70′s/early 80′s post-punk, this 3-piece band has a raw, sparse sound that will actually appeal to a variety of listeners. In the video below (the song “Ponte Vecchio”), I definitely hear the punk elements, but also a bit of alt-country, early alternative, and just plain rock. But most of all (and this is the main reason why I like ‘em)–I hear a great song. Catchy, stick-in-your-head music. Lead vocalist/guitarist Elijah Campbell’s unpolished voice reminds me quite a bit of Michael Roe of the 77′s (extra credit if you know who I’m talking about).

I get plenty of submissions from bands who don’t have a huge following, and to be completely honest, when I listen to their music, I understand why. In this case, I’m baffled. Listening to this stuff, I do not understand why more people don’t know about Palomino yet–and I definitely hope a lot more people will.

Palomino just released an EP (simply called The Palomino EP), which can be streamed at their Bandcamp site. If you dig “Ponte Vecchio,” as I do, they’re currently offering that tune as a free download.

When the Fairfax, VA-based band Escape the Armada hit me up to listen to their recent release Monsters, I have to tell you that I didn’t know what to expect–but I didn’t expect this. It’s a great blend of powerpop, rock, electro, dance and even rap–pretty much everything that makes pop music “popular” these days.

From the opening notes of the opening track, the immediate impression I had was the fantastic production value. This band is currently unsigned, but you’d never know it from the record. The blend, the mix, and the overall sound easily matches anything you’d hear on Top-40 radio–plus solid rhythms and great hooks that make you want to dance and sing. Everything the way it should be.

Except…

Here’s the only critique I have about the record: it’s great, but it’s not new. The music and the songs are catchy, but I didn’t hear anything on the record that I haven’t heard in some version elsewhere. Don’t get me wrong, Monsters is not “mediocre,” not by any stretch; it’s really good, it’s worth a listen, and it’s lots of fun. It’s just that this band has done an excellent job doing what pretty much everybody else in their field is doing–and in an already over-saturated market, it’s not enough just to make really good pop music. Without some extra “oomph” to make them stand out from the throng, I think it’s really a crap shoot as to whether their vibe is going to take them very far in this market.

If I were coaching this band, I’d say Escape the Armada has laid a really good foundation thus far; now it’s just time to take the next steps. The question in front of them isn’t what makes them good, but what makes them different.

But heck, that’s just my opinion. Here’s my personal favorite track off the record, “Without You.” Listen for yourself and see what you think.

I love these hidden gems.

St. Leonards is an alt-rock band from Sydney, Australia, whom I’d never heard of until a couple of days ago when I was catching up on my email. Listening to the title track from their recently released EP World Alone, I was instantly riveted. Literally with the first breath of the song, the music drips with emotion, and remains so throughout the track–and indeed, through the rest of the EP.

I can definitely hear influences from bands like The Fray and U2, especially in the voice of the lead singer. But even beyond that, I think the reason this music grips me is that even without catching all the lyrics, it feels honest without being overbearing. Perhaps the only critique I could offer about the song below is that the melody line seemed a bit narrow in its range, but I found myself being quite forgiving on that point because the rest of the music so captured me.

I don’t know how much name recognition St. Leonards carries in Australia, but I surely hope more of their music makes it around the world to these parts. This is an EP I’d certainly keep in my ipod.

St. Leonards “World Alone”

If you like their music, pick up the EP on iTunes:

When I took a listen to “Needle,” the opening track of Notes from Needle (Part 1) from L.A. indie-rock outfit Zweng, the first few notes instantly arrested my attention. (That’s a good sign.)

The thing about indie-rock is not even that it comes in so many styles, but also that it comes on so many levels of experimentation. That’s something to celebrate, but the down side is that there are so many bands who are so busy experimenting that a lot of the music is coming out muddled, inaccessible to most people. Too many indie bands just aren’t “hitting the pocket,” as I like to put it.

Make no mistake–Zweng hits the pocket. Dead on.

The musical arrangements on this three-song EP are diverse and highly creative, but still very accessible and interesting to listen to. Ryan Zweng’s voice, the dominant feature on the EP, reminds me a lot of Brian Gibb of Death Cab for Cutie; but the lyrics are a bit darker, more direct and poignant, and the music itself is more raw. Every one of the three songs sounds quite different from the others, but it’s obvious the same band is playing them. With strong songwriting, solid musicianship and melodies that stick in your head, Zweng really hits the mark with this effort.

I get that the whole indie thing is supposed to break from the norms and not have any real “rules” to it–but listening to this record, I can’t help but think that this sets some sort of standard. If indie-rock is “supposed” to be anything in particular, I’d think it would be this.

As the title of the EP suggests, Notes from Needle (Part 1) is the first of three upcoming EP releases that are intended to comprise a full-length record when taken together. In the meantime, while you’re waiting for the rest of it to come out, for the time being you can download the EP for free from Zweng’s Bandcamp site.

Zweng “Needle”

I know it’s probably stupid, but sometimes I feel a bit of apprehension in reviewing a solo artist posing as a band. I dunno, maybe I feel like it’s cheating if one guy played all the instruments on the record–because how the heck is he gonna play all of them LIVE?

And why can’t the guy get a band in the first place?

But the fact is, you can’t argue with talent. And besides, you shouldn’t judge. (After all, maybe someday I’ll be a solo artist with a pretend band name, and how would I like it?) Tongue out of cheek, the fact is, when I took a listen to The Sister Ruby Band (a.k.a., Johnny Ruby), I was honestly impressed. The debut CD In Cold Blood (which drops tomorrow) presents an interesting blend of psychedelic rock and shoegaze, resulting in a buzzy-retro kind of sound. I can’t put my finger on it, but it’s got that sort of indescribable “oomph” that this blog is all about.  It’s more than the sum of its parts. Johnny done good.

I’m sorry. Sister Ruby. Sister Ruby done good.

That’s pretty much all I can say about it. The music sort of speaks for itself. Take a listen and see what you think.

The Sister Ruby Band “Straight Into Your Heart”

Picking music to write about is not an exact science for any music blogger. Music is just too subjective for that. For me, out of the many music submissions I get, I choose not just to write about those artists who have all their ducks in a row, but also artists with potential. Also, contrary to common belief, I don’t just write about bands from Denver, although I keep a running joke about that. Generally what prompts me to write about a band or act is when something in their music captures my attention, and makes me want to hear more.

Days of Rae falls into that category.

When Cherie Rae Cobbs, part of the wife/husband team that heads up Days of Rae, contacted me to let me know their Minnesota-based act was relocating to Denver, and asked me for my thoughts about their record Naked Maché, I understandably had no idea who they were. But the first few seconds of the first song got my attention, and definitely made me want to hear more. The record contains moments of brilliance with interesting arrangements, catchy melodic hooks (which anyone who reads this blog knows I’m a sucker for), and a unique overall sound.

That isn’t to say the record isn’t without its flaws, or that the band doesn’t have some growing to do. In between those moments of brilliance I spoke of earlier, there are also places where the music feels kind of washed out. As I listened, I found myself sometimes losing interest by a mixture of bland melody lines, pitch/tuning issues and occasional rhythmic sloppiness…and then another moment of brilliance would come and wake me up again.

So, yes, Days of Rae makes me want to hear more–I want to hear more of those moments of brilliance that made me take notice. If I take this record as a snapshot of the band, I’d say Days of Rae definitely has what it takes to make it–they just need to evolve and grow a bit. The elements of greatness are present; now it’s time for those elements to be worked throughout the music like spices in a stew, so they appear throughout the songs, and not just in a few brilliant places.

Geesh, I sound like a chef or something.

So…more, please. I look forward to hearing more from Days of Rae, and since they’re going to be local, I look forward to watching their evolution from here.  Meanwhile, take a listen to “Paperdolls,” the opening track from Naked Maché. IMHO, it’s the catchiest tune on the record–and it’s the song that initially made me want to hear more. And if it makes you want to hear more, you can download the whole record here, and name your price for it.

Days of Rae: “Paperdolls”

Indie-rock band Achille Lauro has been a staple in the Denver music scene for several  years, probably better known for their tongue-and-cheekness and their willingness to explore musically than for a particular sound. I (sort of) got to hear them play live once, and the live audio was so terrible, unfortunately (not their fault), that it wouldn’t have been fair to form an opinion of them one way or the other. The only thing I could pick up was that they were solid musicians and showed some sense of promise.

These days, Achille Lauro is continuing to experiment, this time by releasing new songs for their fans a few at a time as opposed to putting out a full-length. Their latest single, “Low Cha Cha,” has put to rest any doubts I might have had about the band’s musicality. Over ninety percent of this five-minute song is a repetition of two chords, but everything over the top of those two chords is nothing short of compelling for me. The vocals by frontman Matt Close are passionate, expressive, almost cinematic, perhaps similar to Brandon Flowers of The Killers in style, if not in tone. Instrumentation, production value–all of it is top-notch.  If you haven’t heard Achille Lauro yet, they deserve a listen. So do it.

Achille Lauro: “Low Cha Cha”

After a bit of waiting, I finally got my hands on Changing Color, the debut full-length from Denver alt-rockers My Body Sings Electric. This is a band that has been playing a lot around town and gaining a lot of momentum and attention with their high-energy, indie-punk sound.

I had the chance to talk with these guys a few months ago (you can see the article I wrote here), and the impression I got from talking to them was that they are very purposeful, passionate, hard-working and focused. They want to get their music to a wider audience, and they are working a plan to get there.

Listening to their record, I’d say My Body Sings Electric is ready for the larger audience they are seeking. Recorded at Interlace Audio in Portland, Oregon, the record’s production value is outstanding, with quality audio and near-flawless execution. Tight, complex rhythms and riffs played with searing accuracy, overlaid with hooky, singable vocals, make this a great listen all around. The hard work is showing–these guys play extremely well together.

My Body Sings Electric

Take a listen to the record’s single (and my personal favorite), “Step Into the Light,” and if you like their vibe, the whole record is available pretty cheap from their website. Listen for the wailing guitar solo near the end of the track–gives me chills.

My Body Sings Electric: “Step Into The Light”

When you hear of a rock band called Afterlife Parade releasing an EP called Death, it might be easy to get the wrong idea–like something dark, macabre, gothic.  But that’s not the case at all with this band. It actually started as a project by Nashville singer/songwriter Quinn Erwin who was trying to process a series of losses that hit close to home. The result is a themed EP that actually takes the listener on a journey processing that sense of loss that death can bring…and musically and thematically, I have to say, I find it brilliant.

Dealing with death in any capacity musically can be a huge risk. Lean too far one way, and you’ll be dark and depressing–and lean too far the other, and you’ll come off as trite.  This record, in my opinion, falls right into the perfect groove between those two extremes, being engaging both lyrically and musically.

I’ve shared the first full track, “Death,” but really this is an EP that should be listened to all the way through. Thankfully, at the present time the full EP is available for free download from the band’s Bandcamp page.

Apparently, Death is just part one of the journey of Afterlife Parade.  A followup EP, Rebirth, is due out soon. After hearing this one…I can’t wait.

Afterlife Parade: “Death”

Download the Death EP from Afterlife Parade here: