When the Fairfax, VA-based band Escape the Armada hit me up to listen to their recent release Monsters, I have to tell you that I didn’t know what to expect–but I didn’t expect this. It’s a great blend of powerpop, rock, electro, dance and even rap–pretty much everything that makes pop music “popular” these days.

From the opening notes of the opening track, the immediate impression I had was the fantastic production value. This band is currently unsigned, but you’d never know it from the record. The blend, the mix, and the overall sound easily matches anything you’d hear on Top-40 radio–plus solid rhythms and great hooks that make you want to dance and sing. Everything the way it should be.

Except…

Here’s the only critique I have about the record: it’s great, but it’s not new. The music and the songs are catchy, but I didn’t hear anything on the record that I haven’t heard in some version elsewhere. Don’t get me wrong, Monsters is not “mediocre,” not by any stretch; it’s really good, it’s worth a listen, and it’s lots of fun. It’s just that this band has done an excellent job doing what pretty much everybody else in their field is doing–and in an already over-saturated market, it’s not enough just to make really good pop music. Without some extra “oomph” to make them stand out from the throng, I think it’s really a crap shoot as to whether their vibe is going to take them very far in this market.

If I were coaching this band, I’d say Escape the Armada has laid a really good foundation thus far; now it’s just time to take the next steps. The question in front of them isn’t what makes them good, but what makes them different.

But heck, that’s just my opinion. Here’s my personal favorite track off the record, “Without You.” Listen for yourself and see what you think.

Playing catch-up? Read part 1, part 2 and part 3.

Okay, okay. I know I said the Top Picks would be announced yesterday…sorry about that. It’s the holidays, and I do have  a family. ‘Nuff said.

As I mentioned before, I’m listing some of my favorite Denver acts and songs for 2011. Up until now, pretty much all the songs on the list have been in random order, but to finish off the series, I’ve saved my three Top Picks for last–the songs that stood out even beyond the standouts.

I initially was going to do this series as a Top 10 from least to greatest, but decided to do it this way because I just had too many favorites to rank them in order. (On a Top 10 list, these three songs would have all tied for first place, leaving only a bottom seven…and that wouldn’t have worked.)

So without further delay…here are my Top Picks among the Denver Locals for 2011.

Stephanie Mabey: “Zombie Song”

A love song about zombies? On the Top Picks? You betchee. You’d think this song would just be a fun fluke, but it just happens to be the wittiest, hookiest, funniest, most clever, most funnest zombie song I have ever heard. Never mind the mixed metaphors about vampires in love–this song is just too cool. I actually had the opportunity to hear this song played for a panel of industry pros at the Durango Songwriter’s Expo, and watching the reaction of the group was almost as fun as the song itself. Stephanie Mabey’s full-length record isn’t due out until early January, but the single was released just in time for Halloween–happily making it eligible for the list.

Churchill: “Change”

Yes, for those who are paying attention, Churchill already has a song on this list. Churchill has had a really good year–releasing a solid debut CD, opening for DeVotchKa at The Ogden, and recently winning the KTCL Hometown for the Holidays competition with their new single “Change,” released just this month. Current, catchy, and just plain cool, this song is a whole other direction for Churchill, and a huge leap forward, in my opinion. After hearing this tune, I simply had to make room for it on the Top Picks.

Rachel James:  ”Not Giving Up”

From the moment I heard this song by pop/rock artist Rachel James, I knew it had to be at or near the top of my list. What can I say–I’m a sucker for a great hook, and this song has the strongest hook I’ve heard from Denver musicians all year. Anytime I hear it, I seriously find myself replaying it in my head for about 24 hours afterward–not in an irritating “Moves Like Jagger” kind of way, but in a really good way. It always makes me smile when I see musical artists move forward–and with this song, Rachel James has made me smile a lot.

Rachel James “Not Giving Up”

So there it is–my list of the Best of Denver Locals 2011. Kudos to the artists of the Denver music scene for all the great music, and for giving me so much to write about this year.

Happy Holidays to all.

My Body Sings Electric. (Photo: Brandon Whalen)

Wait! Read part 1 here…

…aaand part 2…

I’m continuing to share my personal faves of 2011 from bands and artists in the Denver scene. These are in no particular order, except for the Top Picks which I’ll reveal in the next post. Meanwhile, here are a couple of additional contenders.

My Body Sings Electric: “Step Into the Light”

This band impresses me with their complex rhythms and tight arrangements–My Body Sings Electric is a solid group of musicians, to say the least. The single from this year’s release Changing Color is “Step Into the Light.” Not only is it quite hooky, but the searing guitar solo near the end floors me every time, and was enough on its own to land this song on my list.

Places: “The Fire”

A latecomer to the list, pop/rock outfit Places just released a new record called No More Wasted Days. It’s so new, in fact, that it’s currently only available digitally, with a hard-copy release coming in January. “The Fire,” the first single from the record, really stood out to me, so I made room for it on the list. I’m looking forward to interviewing these guys after the holidays.

The only current streaming I could find for the single was their YouTube vid, so here it is:

NEXT UP: In the closing post tomorrow on Best of the Denver Locals, I’ll reveal my three Top Picks for the year–the standouts among the standouts.

Take to the Oars. (Photo: Lucia de Giovanni)

Continuing our recap of some of the best music to come out of Denver this year…here are a couple more of my personal picks for this year’s standouts.

Take to the Oars: “Bar Talk”

After rocking Denver for several years under the moniker “Vonnegut,” indie-rockers Take to the Oars took a risk and lunged into uncharted waters in 2011 with a name change and a new album (reviewed here). I’ve seen these guys play a few times this year, and I’ve been particularly impressed with the passion behind their music, as well as their solid work ethic. After having their tunes in my shuffle for the better part of this year, this song is the one that stands out as the most memorable.

Take to the Oars: “Bar Talk”

Churchill: “Happy Sad”

I’ve made it no secret that I’ve had a serious blogger crush on Churchill since I first heard them play two years ago, and I’ve heard them do nothing but improve and grow since then. Their first full-length record Happy/Sad was released in February (read my review here), I’ve been enjoying tunes from it all year. I was all set to list their main single from the album, “Miles,” but at the last minute I went with the title track at the end of the record, because of the raw emotion in it. They definitely saved the best for last.

Churchill: “Happy Sad”

Still more great bands to come! Stay tuned…

Denver act I'm With Her. (Photo: Lucia de Giovanni)

It’s no secret that while I spotlight music from all over the world on this blog, I’m a particular fan of the Denver music scene. I’ve covered the music scene here for Examiner.com for a couple of years, and I’ve become friends with a lot of the local talent–and we do have some great talent here, IMHO.

So…’tis the season for end-of-the-year lists, and I thought I’d jump onto the wagon this year by sharing a few of the Denver bands/songs I thought were standouts for 2011. I initially thought I’d just do a Top 10 list or something, but I found it a bit difficult to place certain songs above others–too many “ties”–so I thought the best way not to slight anyone was just to list them in no particular order (except for a couple of honorable mentions at the end of this series), and share them in a series of four parts. So if you’re part of a Denver band and you’re on this list, know that this means you’ve earned my respect, regardless of where you appear on the list. And if you’re not on the list–chances are you still have my respect. I just had room for 10.

That said, here are some basic criteria I set up to be eligible for this list. If a local band met these criteria, I considered them for the list:

1. It had to be a band/artist from the Front Range area (i.e., Denver, Boulder, Ft. Collins, Co. Springs).

2. I had to be familiar with the band/artist. (Duh.)

3. The song had to be released (either as a single or part of a project) in 2011.

4. I had to be able to access the song for sharing/streaming.

Fair enough, right? So…here are the first three of my picks for the Best of Denver Locals 2011:

The Heyday: “Somebody to Someone”

Pop/rock outfit The Heyday has been a staple in Denver for several years, regularly placing at or near the top in local band competitions. This single was released a few weeks ago as an entry in KTCL’s annual Hometown for the Holidays competition, and in my opinion it is their best work to date–so it comes in as a last-minute favorite for the year.

Wire Faces: “Cloak and Dagger”

I haven’t had a chance to see Wire Faces live yet, but I was impressed with their record (which I reviewed here earlier this year)–and this song in particular has stayed in my head, and on my ipod, pretty much since.

I’m With Her: “Let Me In”

When Denver country-folk artist Angie Stevens teamed up with Haley E. Rydell (formerly of South Dakota, recently moved to Denver) to form I’m With Her earlier this year, I immediately liked the chemistry and the vibe. This tune has been my personal fave on their EP (reviewed here), and stayed on my playlist all year long.

More to come over the next few days! Stay tuned…

I love these hidden gems.

St. Leonards is an alt-rock band from Sydney, Australia, whom I’d never heard of until a couple of days ago when I was catching up on my email. Listening to the title track from their recently released EP World Alone, I was instantly riveted. Literally with the first breath of the song, the music drips with emotion, and remains so throughout the track–and indeed, through the rest of the EP.

I can definitely hear influences from bands like The Fray and U2, especially in the voice of the lead singer. But even beyond that, I think the reason this music grips me is that even without catching all the lyrics, it feels honest without being overbearing. Perhaps the only critique I could offer about the song below is that the melody line seemed a bit narrow in its range, but I found myself being quite forgiving on that point because the rest of the music so captured me.

I don’t know how much name recognition St. Leonards carries in Australia, but I surely hope more of their music makes it around the world to these parts. This is an EP I’d certainly keep in my ipod.

St. Leonards “World Alone”

If you like their music, pick up the EP on iTunes:

Photo: Steve Stanton

Back in April of this year, I got the chance to do a profile piece on Denver artist Rachel James for Examiner.com. During that interview, James talked about the difficult year she’d had, and how it was deepening her as a songwriter.

Then, a few weeks ago, she sent me a copy of her new EP Not Giving Up, slated for digital release this week. Listening to this stuff compared to her earlier work, I was honestly blown away. This is nothing short of a quantum leap forward. It’s a short-but-sweet, three-song EP with compelling lyrics and some of the most solid hooks I’ve heard come out of Denver in quite awhile. I seriously can’t listen to the song below (the title cut of the EP) without waking up with it stuck in my head the following morning. This stuff isn’t just good; it’s chart-worthy.

If you happen to be in the Denver area this Friday, Nov. 4, you should come to the Hard Rock Cafe on the Sixteenth Street Mall downtown around 9PM, where Rachel James and her band will be officially releasing the EP at a show benefiting the Susan G. Komen Foundation in the fight against breast cancer–a worthy cause, and one that the EP’s theme suits quite well.

Says James, “This EP is very much about the fight–the fight against the evils in our lives, with ourselves, with God. It is about not giving up. Life is good, and it’s worth the fight to find truth, love and beauty.”

Gauging from the new music, it appears Rachel James’s own fight has paid off.

Rachel James “Not Giving Up”

Okay, I’m gonna be honest: I wasn’t too big on reviewing Sleeper Agent‘s debut record Celebrasion. I first heard this indie-rock act when they came through town on tour last spring with Cage the Elephant. Their set was energetic, but really sloppy, like they had just came out of the garage. I remembered wondering how in the WORLD they got an opening tour slot with a hot band like Cage.  When I found out they were from Bowling Green, KY, I put two and two together: they prob’ly got the gig because the two bands are friends. But I heard nothing in their music to make me think this band actually deserved this kind of tour.

So a few weeks ago, Sleeper Agent came through town again, this time on their own, playing a much tinier venue. Against my better judgment, I went to see them play–and they had definitely improved. At the very least, it felt like this smaller venue fit them, rather than swallowing them up.

And THEN I spun their record Celebrasion, and that completely turned my opinion in their favor. I’m now a fan.

Except for recognizing some of the tunes, I’d never know this was the same band I heard a few months ago. The production value is excellent, their melodies are totally singable, and their sound is raw but well put together–high energy, catchy alt-rock with a touch of retro. The tracklist is consistent throughout, a great selection of tunes that defines the band’s sound but also shows off its range.

It’s also interesting to note that Sleeper Agent has only been around since 2010, and that puts things a little bit more in perspective. When I consider that a band less than two years old has made this much progress–and I can personally tell the difference within the past few months–this band is growing rapidly, and is well on their way. I’d say Sleeper Agent has plenty of cause to celebrate.

Sleeper Agent: “Get It Daddy”

Sleeper Agent: “Some White Blinds”

Buy Celebrasion on itunes:

So before I tell you about singer/songwriter Stephanie Mabey, a bit of a disclaimer…

Just so you know, I’m a huge believer in crowdfunding projects and sites like Kickstarter, and I’m even down for throwing some money at them myself. But I’ve had some misgivings about promoting artists who are doing Kickstarter campaigns, simply because I am friends with some of these people, and I don’t want to create a conflict of interest or be accused of playing favorites with promising artists who are raising money for their projects–as in, “You promoted so-and-so’s project–why didn’t you support mine?”  I just don’t want to go there.

And yet, this morning, I’m all like, “Well, if I am willing to promote someone’s record on this blog after it was made, how is it any different to promote it before it gets made?” So that made me think of it a little differently.

And then there’s the question: if we don’t do what we can for an artist whose music really ought to be released, perhaps it won’t be–and then where would we be?

The thing is, after hearing a couple of tracks from her upcoming record Waking Up Dreaming, I’m convinced that Stephanie Mabey’s music needs to get out there. She’s very current both in songwriting and in style, and her songs are engaging. The song below, “Zombie Song” (which Stephanie is currently giving away for free), currently has my vote for most entertaining song of the year. It’s inventive, funny, and extremely catchy–not to mention it’s a perfect song for October.

So don’t expect me to make a habit of this, but since I suppose it’s my prerogative to support a record “before the fact” or “after the fact”–I’m inviting my readers to participate in this particular campaign. At this moment, Stephanie needs to raise about $1400 in the next week to complete her record, or she basically has to start over with fundraising. So if you dig the track below, hop on over to her Kickstarter page and at least pre-order the record. If you want to do a little more, she’s offering plenty of cool incentives, as well. If we all do our part, “mabey” we can get it done.

Oh, come on. You knew that pun was coming, didn’t you?

ADDENDUM NOVEMBER 1: Not only has Stephanie surpassed her Kickstarter goal, but she’s released a YouTube vid of The Zombie Song which is getting lots of views. Thought I’d stick it here as well:

When I took a listen to “Needle,” the opening track of Notes from Needle (Part 1) from L.A. indie-rock outfit Zweng, the first few notes instantly arrested my attention. (That’s a good sign.)

The thing about indie-rock is not even that it comes in so many styles, but also that it comes on so many levels of experimentation. That’s something to celebrate, but the down side is that there are so many bands who are so busy experimenting that a lot of the music is coming out muddled, inaccessible to most people. Too many indie bands just aren’t “hitting the pocket,” as I like to put it.

Make no mistake–Zweng hits the pocket. Dead on.

The musical arrangements on this three-song EP are diverse and highly creative, but still very accessible and interesting to listen to. Ryan Zweng’s voice, the dominant feature on the EP, reminds me a lot of Brian Gibb of Death Cab for Cutie; but the lyrics are a bit darker, more direct and poignant, and the music itself is more raw. Every one of the three songs sounds quite different from the others, but it’s obvious the same band is playing them. With strong songwriting, solid musicianship and melodies that stick in your head, Zweng really hits the mark with this effort.

I get that the whole indie thing is supposed to break from the norms and not have any real “rules” to it–but listening to this record, I can’t help but think that this sets some sort of standard. If indie-rock is “supposed” to be anything in particular, I’d think it would be this.

As the title of the EP suggests, Notes from Needle (Part 1) is the first of three upcoming EP releases that are intended to comprise a full-length record when taken together. In the meantime, while you’re waiting for the rest of it to come out, for the time being you can download the EP for free from Zweng’s Bandcamp site.

Zweng “Needle”