Oct 012009
 

From my recent article at Examiner.com, with some enhancements…see the YouTube video below!

Listen to him play for a half minute, and you’ll know 32-year-old guitarist Josh Blackburn is not a novice. Listen to him for an hour, and you’ll wonder why he’s doing solo gigs, playing cover songs at the Baker Street Pub, instead of touring the country with a band.

His opening set last night, September 30, at the Baker Street Pub in the Denver Tech Center, showed just how much of a range this guy has. Armed with only an electric guitar, a few effects, a loop pedal, and a surprisingly rich gravelly voice, he played everything from alternative to classic rock to Stevie Ray Vaughn–and Stevie Wonder. (Try to imagine “Superstition” played only on an electric guitar!) Yet he made it all sound believeable, as though there were a full band present.

Several times through the set, Josh wowed the crowd with powerful lead guitar solos, which he played over multiple guitar loops created on the spot. He took numerous requests from the crowd, and turned down a few. “No, no M.C. Hammer,” he said at one point, grinning. “I can’t touch that.”

The audience loved it.

No, Josh Blackburn isn’t a novice. He isn’t even a newcomer–he’s been playing in and around Denver for four years, and before that he played in bands and recorded with industry professionals. He isn’t really starting up; he’s starting over, with a new crowd, making new fans. The good thing (for us) is that Josh is playing fairly steadily these days, so there are a lot of opportunities to catch his act around town. He’s a regular this fall at all the area Baker Street Pub locations (he’s at the Boulder location on 28th Street all this weekend), and numerous other places in the area. Check his MySpace page for his current schedule, then do yourself a favor and go see him play.

Josh Blackburn might not be new to this scene, but he is definitely one to watch.

OOMPH SCALE: 8.5

Sep 222009
 

This post is an adaptation from my recent article on Examiner.com.

September 17, 2009
Appaloosa Bar and Grill

This past Thursday in downtown Denver, the By All Means Band lit up an otherwise dark stage.

Based in Boulder, Colorado, By All Means calls its sound an Afro-beat/Funk fusion, or “Ghanerican”. Central to the band is drummer Paa Kow, a Ghana native, and three of the other bandmates studied music in Ghana. This is the second incarnation of By All Means, Kow being the only original member. Although they occasionally vocalize, the band focuses mainly on the instruments, with a clear emphasis on drums and percussion.

In the chic Appaloosa Bar and Grill, lit only by ambient room lighting and the street lamps from the windows, the stage sits just inside the front entrance so the music can spill out into the Sixteenth Street Mall. I took a seat inside, out of the way, but in view of the stage.

The band launched into its first set at 10:00 PM with a friendly number, followed by a funky cover of one of those old jazz tunes everyone recognizes but no one really knows.

With the third song, the band came to life.

Seemingly out of nowhere came the catchy opening rock riffs from guitarist Aaron Fichtner–the band’s almost-hidden hunk of dynamite–followed by a powerful blend of African and American rhythms, a strong bass line, and a trombone/saxophone duo fronting the effort. This was the first song where the band showcased the “Afro-beat” part of it’s Afro-funk fusion–complete with a head-turning percussion solo near the end. The results were captivating.

Not too long after, people were crowding the front area, and I was craning my neck to see past them. A few brave souls turned what space there was into a dance floor. Had there been room for it, certainly many more would have been dancing.

Among the few detractions from the performance, the first wasn’t entirely the band’s fault. While the street vibe of the Appaloosa is hip, the venue isn’t very conducive to dance, which this band’s sound definitely invites; so their stage presence was a bit muted because the audience didn’t have enough room. Additionally, I think By All Means would do well to stay away from cover songs, because they have enough clout with their original material to take them places covers just can’t.

That said–should you go see these guys next time they do a show in town?

By all means.

OOMPH scale: 6.5

See where By All Means is playing by visiting their MySpace page.