The Oomph Music Blog

St. Leonards from Around the World

Nov 282011

I love these hidden gems.

St. Leonards is an alt-rock band from Sydney, Australia, whom I’d never heard of until a couple of days ago when I was catching up on my email. Listening to the title track from their recently released EP World Alone, I was instantly riveted. Literally with the first breath of the song, the music drips with emotion, and remains so throughout the track–and indeed, through the rest of the EP.

I can definitely hear influences from bands like The Fray and U2, especially in the voice of the lead singer. But even beyond that, I think the reason this music grips me is that even without catching all the lyrics, it feels honest without being overbearing. Perhaps the only critique I could offer about the song below is that the melody line seemed a bit narrow in its range, but I found myself being quite forgiving on that point because the rest of the music so captured me.

I don’t know how much name recognition St. Leonards carries in Australia, but I surely hope more of their music makes it around the world to these parts. This is an EP I’d certainly keep in my ipod.

St. Leonards “World Alone”

If you like their music, pick up the EP on iTunes:

The Rachel James You Haven’t Heard (Yet)

artists 1 Response »

Oct 312011

Photo: Steve Stanton

Back in April of this year, I got the chance to do a profile piece on Denver artist Rachel James for Examiner.com. During that interview, James talked about the difficult year she’d had, and how it was deepening her as a songwriter.

Then, a few weeks ago, she sent me a copy of her new EP Not Giving Up, slated for digital release this week. Listening to this stuff compared to her earlier work, I was honestly blown away. This is nothing short of a quantum leap forward. It’s a short-but-sweet, three-song EP with compelling lyrics and some of the most solid hooks I’ve heard come out of Denver in quite awhile. I seriously can’t listen to the song below (the title cut of the EP) without waking up with it stuck in my head the following morning. This stuff isn’t just good; it’s chart-worthy.

If you happen to be in the Denver area this Friday, Nov. 4, you should come to the Hard Rock Cafe on the Sixteenth Street Mall downtown around 9PM, where Rachel James and her band will be officially releasing the EP at a show benefiting the Susan G. Komen Foundation in the fight against breast cancer–a worthy cause, and one that the EP’s theme suits quite well.

Says James, “This EP is very much about the fight–the fight against the evils in our lives, with ourselves, with God. It is about not giving up. Life is good, and it’s worth the fight to find truth, love and beauty.”

Gauging from the new music, it appears Rachel James’s own fight has paid off.

Rachel James “Not Giving Up”

Sleeper Agent’s Surprise “Celebrasion”

album reviews 1 Response »

Oct 112011

Okay, I’m gonna be honest: I wasn’t too big on reviewing Sleeper Agent‘s debut record Celebrasion. I first heard this indie-rock act when they came through town on tour last spring with Cage the Elephant. Their set was energetic, but really sloppy, like they had just came out of the garage. I remembered wondering how in the WORLD they got an opening tour slot with a hot band like Cage. When I found out they were from Bowling Green, KY, I put two and two together: they prob’ly got the gig because the two bands are friends. But I heard nothing in their music to make me think this band actually deserved this kind of tour.

So a few weeks ago, Sleeper Agent came through town again, this time on their own, playing a much tinier venue. Against my better judgment, I went to see them play–and they had definitely improved. At the very least, it felt like this smaller venue fit them, rather than swallowing them up.

And THEN I spun their record Celebrasion, and that completely turned my opinion in their favor. I’m now a fan.

Except for recognizing some of the tunes, I’d never know this was the same band I heard a few months ago. The production value is excellent, their melodies are totally singable, and their sound is raw but well put together–high energy, catchy alt-rock with a touch of retro. The tracklist is consistent throughout, a great selection of tunes that defines the band’s sound but also shows off its range.

It’s also interesting to note that Sleeper Agent has only been around since 2010, and that puts things a little bit more in perspective. When I consider that a band less than two years old has made this much progress–and I can personally tell the difference within the past few months–this band is growing rapidly, and is well on their way. I’d say Sleeper Agent has plenty of cause to celebrate.

Sleeper Agent: “Get It Daddy”

Sleeper Agent: “Some White Blinds”

Buy Celebrasion on itunes:

Help Stephanie Mabey “Wake Up”

artists, General 1 Response »

Oct 092011

So before I tell you about singer/songwriter Stephanie Mabey, a bit of a disclaimer…

Just so you know, I’m a huge believer in crowdfunding projects and sites like Kickstarter, and I’m even down for throwing some money at them myself. But I’ve had some misgivings about promoting artists who are doing Kickstarter campaigns, simply because I am friends with some of these people, and I don’t want to create a conflict of interest or be accused of playing favorites with promising artists who are raising money for their projects–as in, “You promoted so-and-so’s project–why didn’t you support mine?” I just don’t want to go there.

And yet, this morning, I’m all like, “Well, if I am willing to promote someone’s record on this blog after it was made, how is it any different to promote it before it gets made?” So that made me think of it a little differently.

And then there’s the question: if we don’t do what we can for an artist whose music really ought to be released, perhaps it won’t be–and then where would we be?

The thing is, after hearing a couple of tracks from her upcoming record Waking Up Dreaming, I’m convinced that Stephanie Mabey’s music needs to get out there. She’s very current both in songwriting and in style, and her songs are engaging. The song below, “Zombie Song” (which Stephanie is currently giving away for free), currently has my vote for most entertaining song of the year. It’s inventive, funny, and extremely catchy–not to mention it’s a perfect song for October.

So don’t expect me to make a habit of this, but since I suppose it’s my prerogative to support a record “before the fact” or “after the fact”–I’m inviting my readers to participate in this particular campaign. At this moment, Stephanie needs to raise about $1400 in the next week to complete her record, or she basically has to start over with fundraising. So if you dig the track below, hop on over to her Kickstarter page and at least pre-order the record. If you want to do a little more, she’s offering plenty of cool incentives, as well. If we all do our part, “mabey” we can get it done.

Oh, come on. You knew that pun was coming, didn’t you?

ADDENDUM NOVEMBER 1: Not only has Stephanie surpassed her Kickstarter goal, but she’s released a YouTube vid of The Zombie Song which is getting lots of views. Thought I’d stick it here as well:

Zweng’s “Needle”–To the Point

bands 1 Response »

Sep 212011

When I took a listen to “Needle,” the opening track of Notes from Needle (Part 1) from L.A. indie-rock outfit Zweng, the first few notes instantly arrested my attention. (That’s a good sign.)

The thing about indie-rock is not even that it comes in so many styles, but also that it comes on so many levels of experimentation. That’s something to celebrate, but the down side is that there are so many bands who are so busy experimenting that a lot of the music is coming out muddled, inaccessible to most people. Too many indie bands just aren’t “hitting the pocket,” as I like to put it.

Make no mistake–Zweng hits the pocket. Dead on.

The musical arrangements on this three-song EP are diverse and highly creative, but still very accessible and interesting to listen to. Ryan Zweng’s voice, the dominant feature on the EP, reminds me a lot of Brian Gibb of Death Cab for Cutie; but the lyrics are a bit darker, more direct and poignant, and the music itself is more raw. Every one of the three songs sounds quite different from the others, but it’s obvious the same band is playing them. With strong songwriting, solid musicianship and melodies that stick in your head, Zweng really hits the mark with this effort.

I get that the whole indie thing is supposed to break from the norms and not have any real “rules” to it–but listening to this record, I can’t help but think that this sets some sort of standard. If indie-rock is “supposed” to be anything in particular, I’d think it would be this.

As the title of the EP suggests, Notes from Needle (Part 1) is the first of three upcoming EP releases that are intended to comprise a full-length record when taken together. In the meantime, while you’re waiting for the rest of it to come out, for the time being you can download the EP for free from Zweng’s Bandcamp site.

Zweng “Needle”

Roniit’s Brand of “Dark” Electro Pop

artists No Responses »

Sep 062011

When Denver area artist Roniit (say “Ro-NEET”) sent me a link to her self-titled debut CD a few months ago, I was backlogged and told her it would be awhile before I got to it. However, when I did get a listen, I was pleasantly surprised. I put it on my ipod, and have always enjoyed when one of her songs comes up on shuffle.

And now, finally, I have a little time to tell you about it.

Roniit classifies her music as “dark pop,” and the term really fits, in my opinion. It’s electronic music laden with haunting arrangements, minor chords, lots of low tones, and Roniit’s pure-toned voice over the top of it all. Very strong production value for an indie artist, if you ask me–and the overall sound gives me the impression that I’m listening to the music in black-and-white. Not depressing, just a bit melancholy and haunting.

I’ve put in one of my favorite tracks for you to stream below. If you like what you hear, Roniit is currently offering her entire record as a name-your-own-price download from her Bandcamp site.

Roniit: “Now Or Never”

The Psych-Rock of The Sister Ruby Band

bands No Responses »

Aug 152011

I know it’s probably stupid, but sometimes I feel a bit of apprehension in reviewing a solo artist posing as a band. I dunno, maybe I feel like it’s cheating if one guy played all the instruments on the record–because how the heck is he gonna play all of them LIVE?

And why can’t the guy get a band in the first place?

But the fact is, you can’t argue with talent. And besides, you shouldn’t judge. (After all, maybe someday I’ll be a solo artist with a pretend band name, and how would I like it?) Tongue out of cheek, the fact is, when I took a listen to The Sister Ruby Band (a.k.a., Johnny Ruby), I was honestly impressed. The debut CD In Cold Blood (which drops tomorrow) presents an interesting blend of psychedelic rock and shoegaze, resulting in a buzzy-retro kind of sound. I can’t put my finger on it, but it’s got that sort of indescribable “oomph” that this blog is all about. It’s more than the sum of its parts. Johnny done good.

I’m sorry. Sister Ruby. Sister Ruby done good.

That’s pretty much all I can say about it. The music sort of speaks for itself. Take a listen and see what you think.

The Sister Ruby Band “Straight Into Your Heart”

How Days of Rae Makes Me Want to Hear More

bands No Responses »

Jul 282011

Picking music to write about is not an exact science for any music blogger. Music is just too subjective for that. For me, out of the many music submissions I get, I choose not just to write about those artists who have all their ducks in a row, but also artists with potential. Also, contrary to common belief, I don’t just write about bands from Denver, although I keep a running joke about that. Generally what prompts me to write about a band or act is when something in their music captures my attention, and makes me want to hear more.

Days of Rae falls into that category.

When Cherie Rae Cobbs, part of the wife/husband team that heads up Days of Rae, contacted me to let me know their Minnesota-based act was relocating to Denver, and asked me for my thoughts about their record Naked Maché, I understandably had no idea who they were. But the first few seconds of the first song got my attention, and definitely made me want to hear more. The record contains moments of brilliance with interesting arrangements, catchy melodic hooks (which anyone who reads this blog knows I’m a sucker for), and a unique overall sound.

That isn’t to say the record isn’t without its flaws, or that the band doesn’t have some growing to do. In between those moments of brilliance I spoke of earlier, there are also places where the music feels kind of washed out. As I listened, I found myself sometimes losing interest by a mixture of bland melody lines, pitch/tuning issues and occasional rhythmic sloppiness…and then another moment of brilliance would come and wake me up again.

So, yes, Days of Rae makes me want to hear more–I want to hear more of those moments of brilliance that made me take notice. If I take this record as a snapshot of the band, I’d say Days of Rae definitely has what it takes to make it–they just need to evolve and grow a bit. The elements of greatness are present; now it’s time for those elements to be worked throughout the music like spices in a stew, so they appear throughout the songs, and not just in a few brilliant places.

Geesh, I sound like a chef or something.

So…more, please. I look forward to hearing more from Days of Rae, and since they’re going to be local, I look forward to watching their evolution from here. Meanwhile, take a listen to “Paperdolls,” the opening track from Naked Maché. IMHO, it’s the catchiest tune on the record–and it’s the song that initially made me want to hear more. And if it makes you want to hear more, you can download the whole record here, and name your price for it.

Days of Rae: “Paperdolls”

Palmer’s Gritty Folk Rock

album reviews 2 Responses »

Jul 032011

Let’s begin at the beginning: Andy Palmer can’t sing.

I’m serious.

Think Bob Dylan. Think Tom Waits. Think Johnny Cash near the end of his life. That’s singer/songwriter Andy Palmer. All through his record Sometime Around (released under the moniker “Palmer”), he growls, squeaks and strains through the lyrics with a voice that sounds at times twice his age, almost like he spent the last ten hours screaming at the top of his lungs, or like he’s been smoking three packs a day since he was four.

Having said that…his record is excellent. Sometime Around has high production value and a gritty, folk-rock vibe that stays with you after the songs end–and Palmer’s squeaky/gravelly vocals are just the icing on the cake.

You see, one does not have to achieve vocal perfection in order to be memorable. Solid musicianship, compelling songs and a passionate delivery can often grab and hold a listener’s attention even better than a perfectly executed vocal. Some of the world’s best performers and songwriters can utterly captivate their audience while barely carrying a tune in a bucket.

Think Bob Dylan. Think Tom Waits. Think Johnny Cash, even back when he could sing. That’s Andy Palmer.

Now, don’t misunderstand: I’m not equating Palmer with the stuff of legends–not yet, anyway. This guy is still near the beginning of what could be a long career, and has plenty of room to grow. But besides solid writing and great guitar work, the one thing he’s got going for him is that he’s memorable, and in a good way. Palmer can’t sing–but he also doesn’t sound like anyone else you’ve heard, which gives him an open field. Not legendary yet–but certainly there is enough musical substance here that gives Palmer the potential to connect with a larger audience.

Andy Palmer currently heads up a band in the Denver area called Grub Street Writer, and while his record doesn’t officially release until the fall, it’s actually available now on a name-your-own-price basis from his website. So if you like the sample track below, go pick up the rest of it.

Palmer: “Take It Down”

I’m With Her: Deep Water Collaboration

General No Responses »

Jun 292011

I'm With Her (Photo: Lucia De Giovanni)

What do you get when you take an established country/roots singer from Denver and an established folk singer from Fargo, and put ’em together? When Angie Stevens and Haley E. Rydell tried it, they came up with a new collaboration called I’m With Her.

Both artists have found success on their own–Stevens with her band Angie Stevens & the Beautiful Wreck, and Rydell with Haley E. & the Rydells–but this collaboration seems to combine the best of both artists in an expression that is much different than what either one has produced thus far. According to Stevens, with whom I had a chance to talk prior to the release of I’m With Her’s self-titled EP, this project provided a chance for them to share some heartfelt music that doesn’t quite fit the vibe of the artists’ respective bands.

Released earlier this month on Stevens’ label Boss Koala Records, the I’m With Her EP contains songs that are simple, reflective, passionate, beautiful…and deep.

Deep. That’s a good word for it. The girls ventured into deeper waters with this collaboration. If you’re a fan of Stevens, Rydell, or both, chances are you’ll love this collaboration a lot.

Take a listen to the track below, and if you like it, go buy the EP at I’m With Her’s Bandcamp site.

I’m With Her: “But I Do”

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