Glowing House “Days Run Out”

 album reviews  No Responses »
Jun 142012
 

I first mentioned husband-and-wife duo Glowing House about a year and a half ago, when I reviewed a record that was two years old back then. After a long wait, this Denver folk act has released their new album Days Run Out–and I can tell you, it was worth the wait.

I had the privilege of interviewing Jess Parsons and Steve Varney recently for an article on Examiner.com. During that interview, they shared that they were originally two solo singer/songwriters who began joining each other on gigs, and the forming of Glowing House (and the marriage) seemed a natural evolution. Even so, they told me, their first album The Annual Demise of Every Aspen was essentially put together as a hodgepodge of songs each solo artist had brought to the table without much thought as to a collective band dynamic.

With Days Run Out, however, the merger is complete, so to speak. Not only is the overall sound of the album much more uniform, but the record shows exponential growth for both artists. They have arrived on a combination that is greater than the sum of its parts. Most of the record was recorded in an old church building, which only adds to its ambience.

Don’t look for a lot of “toe-tappers” here; the songs of Glowing House are more about reflection and thought and feeling. But there’s a raw beauty in their music that captured me the first time I heard them play, and their songs grow a little bit more on me every time I hear them. I was already familiar with most of the tunes on Days because I’m a frequent visitor to their live sets around Denver, but when I heard those opening harmonies on the first track “All That Matters,” I got chills.

Glowing House is currently streaming the new album for free on Bandcamp. (I’ve embedded a couple of my favorite tunes below.) If you like what you hear, pay the moolah and download this record. This is definitely a band worth hearing, and worth adding to your collection.

 

Ballet Nouveau Colorado Rocks the Ballet

 special events  No Responses »
May 272012
 

Photo: Shelby McQuilkin

Here’s something to consider. If you:

a) live around Denver;

and

b) like classic rock;

and/or

c) you like the ballet;

then you need to see Ballet Nouveau Colorado perform “Rock Ballets.”

I have had the opportunity to see two different shows by this innovative Denver-based dance company, which has gained a reputation for putting a modern twist on traditional ballet, frequently incorporating visual art, unorthodox music and even poetry into their performances. To see one of their shows is nothing short of spellbinding.

Created by BNC’s artistic director Garrett Ammon, “Rock Ballets” is a series of three short ballets, set to the music of INXS, Queen and David Bowie, respectively. It was first premiered in 2008, and in conclusion of their 10th season, Ballet Nouveau Colorado is presenting an encore performance of this unique presentation on Friday, June 8, at the outdoor amphitheatre at the Arvada Center at 6901 Wadsworth Blvd. The evening will kick off with spoken word poetry performances by the Lighthouse Writer’s Workshop.

“Rock Ballets” has a history of selling out, so if you’re interested in catching this show (which you should be), it’s best to get your tickets now, rather than later. You can purchase tickets here.

Bad Veins and The Mess They’ve Made–Or Not

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May 062012
 

Hailing from Cincinnati, OH, indie-rock duo Bad Veins is one of those acts that doesn’t necessarily sound like you’d expect them to. Perhaps part of the reason is that this “duo” is more like a “trio”: there’s lead vocalist/guitarist/keyboardist Benjamin Davis; there’s drummer Sebastien Schultz; and then there’s “Irene,” a reel-to-reel tape recorder the band uses for extra tracking, both in the studio and on stage. The end result is a richer, fuller, more diverse sound that blends indie rock with pop and electronic influences reminiscent of one of several British invasions.

The Mess We’ve Made is a bit of an ironic title for Bad Veins’ sophomore LP, because the record itself is anything but messy. In song after song, the band blends multiple layers into an overall sound that is quite easy on the ears, with Davis’ Brand0n Flowers-esque voice overlaying it all.

That said, the band does have a bit of tweaking to do. The primary flaw I see with the record is basically that once you’ve heard the first three songs, you’ve pretty much got the band figured out, and there’s not much more to keep your interest. Yeah, nice layers, nice sound, nice voice–Bad Veins has that part down. Now they need better songs–songs with hooks that make you want to hit “repeat.” Bridge that gap, and you’ve got a force to be reckoned with.

The opening track of The Mess We’ve Made (“Dont’ Run,” streamable below) gives you a good idea of what to expect from the band, but I have a feeling the record itself doesn’t do justice to a live performance. Word on the street is that Bad Veins is outstanding as a live band, so I’ve also put some upcoming tour dates down below. (If you’re in the Denver area, they’re due to swing by the Hi-Dive on May 19.)

Bad Veins: “Don’t Run”

TOUR DATES:

05/18 – Lawrence, KS @ Replay Lounge
05/19 – Denver, CO @ Hi Dive
05/20 – Salt Lake City, UT @ Kilby Court
05/22 – Seattle, WA @ Barboza
05/23 – Portland, OR @ Bunk Bar
05/24 – San Francisco, CA @ Bottom of the Hill
05/25 – Santa Cruz, CA @ The Crepe Place
05/26 – Los Angeles, CA @ The Echo
05/27 – San Diego, CA @ Bar Pink
05/29 – Tempe, AZ @ The Sail Inn

Dan Craig: In Dust Bowls

 artists  No Responses »
Apr 162012
 

It’s rather surprising that Dan Craig even has time these days to put out a new record. Besides being one of Denver’s premiere singer/songwriters, he’s also a med student, a husband, and recently a new father.

Actually, though, this gem of an EP, In Dust Bowls, already had the groundwork laid for it. According to Craig, this project (a collaboration with producer/engineer Jamie Mefford) was started and shelved several times over the past several years, and the current project has been basically complete for about a year. It just seemed that now was the right time to finish it up and release it.

In Dust Bowls is quite a digression from Dan Craig’s last project Alchemy (reviewed here)–a much more reflective, downtempo effort, with an atmospheric, almost dreamy quality to it (if acoustic folk can be thought of as “dreamy”, then this is what it sounds like). The six songs in progression tell a story of love lost, and found again, and for that reason the songs are best heard together in sequence, rather than individually.

I’ve given this record several spins now, and I like it more and more each time. Dan’s melodies are contagious, his lyricism creative and thought-provoking. In Dust Bowls has been a long time coming, but I for one am glad it is here.

Dan has permitted me to share the first track “Down My Legs” below. If you like it and want to hear more, the record is currently available as a download from Dan’s Bandcamp site, or from iTunes.

Dan Craig: “Down My Legs”

 

Palomino: Ponte Vecchio

 bands  No Responses »
Feb 202012
 

One of the things I love about music blogging is when I come across “hidden treasures”–bands with a unique vibe and memorable sound that not many people know about–but should. In my view, Brooklyn-based Palomino is one of those bands.

Citing influences from late 70’s/early 80’s post-punk, this 3-piece band has a raw, sparse sound that will actually appeal to a variety of listeners. In the video below (the song “Ponte Vecchio”), I definitely hear the punk elements, but also a bit of alt-country, early alternative, and just plain rock. But most of all (and this is the main reason why I like ’em)–I hear a great song. Catchy, stick-in-your-head music. Lead vocalist/guitarist Elijah Campbell’s unpolished voice reminds me quite a bit of Michael Roe of the 77’s (extra credit if you know who I’m talking about).

I get plenty of submissions from bands who don’t have a huge following, and to be completely honest, when I listen to their music, I understand why. In this case, I’m baffled. Listening to this stuff, I do not understand why more people don’t know about Palomino yet–and I definitely hope a lot more people will.

Palomino just released an EP (simply called The Palomino EP), which can be streamed at their Bandcamp site. If you dig “Ponte Vecchio,” as I do, they’re currently offering that tune as a free download.

 

Escape the Armada: Good Monsters

 bands  No Responses »
Jan 212012
 

When the Fairfax, VA-based band Escape the Armada hit me up to listen to their recent release Monsters, I have to tell you that I didn’t know what to expect–but I didn’t expect this. It’s a great blend of powerpop, rock, electro, dance and even rap–pretty much everything that makes pop music “popular” these days.

From the opening notes of the opening track, the immediate impression I had was the fantastic production value. This band is currently unsigned, but you’d never know it from the record. The blend, the mix, and the overall sound easily matches anything you’d hear on Top-40 radio–plus solid rhythms and great hooks that make you want to dance and sing. Everything the way it should be.

Except…

Here’s the only critique I have about the record: it’s great, but it’s not new. The music and the songs are catchy, but I didn’t hear anything on the record that I haven’t heard in some version elsewhere. Don’t get me wrong, Monsters is not “mediocre,” not by any stretch; it’s really good, it’s worth a listen, and it’s lots of fun. It’s just that this band has done an excellent job doing what pretty much everybody else in their field is doing–and in an already over-saturated market, it’s not enough just to make really good pop music. Without some extra “oomph” to make them stand out from the throng, I think it’s really a crap shoot as to whether their vibe is going to take them very far in this market.

If I were coaching this band, I’d say Escape the Armada has laid a really good foundation thus far; now it’s just time to take the next steps. The question in front of them isn’t what makes them good, but what makes them different.

But heck, that’s just my opinion. Here’s my personal favorite track off the record, “Without You.” Listen for yourself and see what you think.

Best of Denver Locals 2011 (part 4: Top Picks)

 Best of  No Responses »
Dec 242011
 

Playing catch-up? Read part 1, part 2 and part 3.

Okay, okay. I know I said the Top Picks would be announced yesterday…sorry about that. It’s the holidays, and I do have  a family. ‘Nuff said. :)

As I mentioned before, I’m listing some of my favorite Denver acts and songs for 2011. Up until now, pretty much all the songs on the list have been in random order, but to finish off the series, I’ve saved my three Top Picks for last–the songs that stood out even beyond the standouts.

I initially was going to do this series as a Top 10 from least to greatest, but decided to do it this way because I just had too many favorites to rank them in order. (On a Top 10 list, these three songs would have all tied for first place, leaving only a bottom seven…and that wouldn’t have worked.) 😀

So without further delay…here are my Top Picks among the Denver Locals for 2011.

Stephanie Mabey: “Zombie Song”

A love song about zombies? On the Top Picks? You betchee. You’d think this song would just be a fun fluke, but it just happens to be the wittiest, hookiest, funniest, most clever, most funnest zombie song I have ever heard. Never mind the mixed metaphors about vampires in love–this song is just too cool. I actually had the opportunity to hear this song played for a panel of industry pros at the Durango Songwriter’s Expo, and watching the reaction of the group was almost as fun as the song itself. Stephanie Mabey’s full-length record isn’t due out until early January, but the single was released just in time for Halloween–happily making it eligible for the list.

 

Churchill: “Change”

Yes, for those who are paying attention, Churchill already has a song on this list. Churchill has had a really good year–releasing a solid debut CD, opening for DeVotchKa at The Ogden, and recently winning the KTCL Hometown for the Holidays competition with their new single “Change,” released just this month. Current, catchy, and just plain cool, this song is a whole other direction for Churchill, and a huge leap forward, in my opinion. After hearing this tune, I simply had to make room for it on the Top Picks.

 

 

Rachel James:  “Not Giving Up”

 

From the moment I heard this song by pop/rock artist Rachel James, I knew it had to be at or near the top of my list. What can I say–I’m a sucker for a great hook, and this song has the strongest hook I’ve heard from Denver musicians all year. Anytime I hear it, I seriously find myself replaying it in my head for about 24 hours afterward–not in an irritating “Moves Like Jagger” kind of way, but in a really good way. It always makes me smile when I see musical artists move forward–and with this song, Rachel James has made me smile a lot.

Rachel James “Not Giving Up”

 

So there it is–my list of the Best of Denver Locals 2011. Kudos to the artists of the Denver music scene for all the great music, and for giving me so much to write about this year.

Happy Holidays to all.

Best of Denver Locals 2011 (part 3)

 Best of  No Responses »
Dec 222011
 

My Body Sings Electric. (Photo: Brandon Whalen)

 

Wait! Read part 1 here…

…aaand part 2…

I’m continuing to share my personal faves of 2011 from bands and artists in the Denver scene. These are in no particular order, except for the Top Picks which I’ll reveal in the next post. Meanwhile, here are a couple of additional contenders.

 

My Body Sings Electric: “Step Into the Light”

This band impresses me with their complex rhythms and tight arrangements–My Body Sings Electric is a solid group of musicians, to say the least. The single from this year’s release Changing Color is “Step Into the Light.” Not only is it quite hooky, but the searing guitar solo near the end floors me every time, and was enough on its own to land this song on my list.

 

Places: “The Fire”

A latecomer to the list, pop/rock outfit Places just released a new record called No More Wasted Days. It’s so new, in fact, that it’s currently only available digitally, with a hard-copy release coming in January. “The Fire,” the first single from the record, really stood out to me, so I made room for it on the list. I’m looking forward to interviewing these guys after the holidays.

The only current streaming I could find for the single was their YouTube vid, so here it is:


NEXT UP: In the closing post tomorrow on Best of the Denver Locals, I’ll reveal my three Top Picks for the year–the standouts among the standouts.

Best of Denver Locals 2011 (part 2)

 Best of  No Responses »
Dec 212011
 

Take to the Oars. (Photo: Lucia de Giovanni)

Continuing our recap of some of the best music to come out of Denver this year…here are a couple more of my personal picks for this year’s standouts.

Take to the Oars: “Bar Talk”

After rocking Denver for several years under the moniker “Vonnegut,” indie-rockers Take to the Oars took a risk and lunged into uncharted waters in 2011 with a name change and a new album (reviewed here). I’ve seen these guys play a few times this year, and I’ve been particularly impressed with the passion behind their music, as well as their solid work ethic. After having their tunes in my shuffle for the better part of this year, this song is the one that stands out as the most memorable.

Take to the Oars: “Bar Talk”

 

Churchill: “Happy Sad”

I’ve made it no secret that I’ve had a serious blogger crush on Churchill since I first heard them play two years ago, and I’ve heard them do nothing but improve and grow since then. Their first full-length record Happy/Sad was released in February (read my review here), I’ve been enjoying tunes from it all year. I was all set to list their main single from the album, “Miles,” but at the last minute I went with the title track at the end of the record, because of the raw emotion in it. They definitely saved the best for last.

Churchill: “Happy Sad”

Still more great bands to come! Stay tuned…

Best of Denver Locals 2011 (part 1)

 venues  No Responses »
Dec 202011
 

Denver act I'm With Her. (Photo: Lucia de Giovanni)

It’s no secret that while I spotlight music from all over the world on this blog, I’m a particular fan of the Denver music scene. I’ve covered the music scene here for Examiner.com for a couple of years, and I’ve become friends with a lot of the local talent–and we do have some great talent here, IMHO.

So…’tis the season for end-of-the-year lists, and I thought I’d jump onto the wagon this year by sharing a few of the Denver bands/songs I thought were standouts for 2011. I initially thought I’d just do a Top 10 list or something, but I found it a bit difficult to place certain songs above others–too many “ties”–so I thought the best way not to slight anyone was just to list them in no particular order (except for a couple of honorable mentions at the end of this series), and share them in a series of four parts. So if you’re part of a Denver band and you’re on this list, know that this means you’ve earned my respect, regardless of where you appear on the list. And if you’re not on the list–chances are you still have my respect. I just had room for 10. :)

That said, here are some basic criteria I set up to be eligible for this list. If a local band met these criteria, I considered them for the list:

1. It had to be a band/artist from the Front Range area (i.e., Denver, Boulder, Ft. Collins, Co. Springs).

2. I had to be familiar with the band/artist. (Duh.)

3. The song had to be released (either as a single or part of a project) in 2011.

4. I had to be able to access the song for sharing/streaming.

Fair enough, right? So…here are the first three of my picks for the Best of Denver Locals 2011:

The Heyday: “Somebody to Someone”

Pop/rock outfit The Heyday has been a staple in Denver for several years, regularly placing at or near the top in local band competitions. This single was released a few weeks ago as an entry in KTCL’s annual Hometown for the Holidays competition, and in my opinion it is their best work to date–so it comes in as a last-minute favorite for the year.

 

Wire Faces: “Cloak and Dagger”

I haven’t had a chance to see Wire Faces live yet, but I was impressed with their record (which I reviewed here earlier this year)–and this song in particular has stayed in my head, and on my ipod, pretty much since.

 

I’m With Her: “Let Me In”

When Denver country-folk artist Angie Stevens teamed up with Haley E. Rydell (formerly of South Dakota, recently moved to Denver) to form I’m With Her earlier this year, I immediately liked the chemistry and the vibe. This tune has been my personal fave on their EP (reviewed here), and stayed on my playlist all year long.

 

More to come over the next few days! Stay tuned…

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