Jul 252010

The Rouge at the UMS 2010.

Day 3 of the UMS started off with some panel discussions in a church basement. I caught the last few minutes of a discussion with three members of local bands who have had some experience with record labels. I learned more in those few minutes than any of a number of books I’ve read.

Today was just a great, not-too-hot Denver day for walking Broadway and hearing the streets filled with music. One band I saw literally had set up their gear on the sidewalk and were playing to a gathering crowd of passers-by. Quite good, actually.

Acts I caught today:

  • The Rouge–alternative rock
  • The Yes We Cans–punk
  • Angela Jane–indie rock
  • Kal Cahoone & the Dirty Pretty–acoustic alternative
  • Annie Lynch–folk
  • Varlet (with Lilly Scott)–indie
  • Megan Burtt–acoustic country/rock
  • Andrea Ball–indie
  • Ayo Awosika–jazz/soul
  • Dan Craig Band–indie rock
  • Science Partner–folk
  • Churchill–acoustic rock

So many acts, I actually have two favorite picks for today, followed by some honorable mentions:

PICK ONE:  Dan Craig Band
I first heard Dan Craig opening for John Common.  Dan was quite sick at the time, and his voice reflected it–although he was a good sport.  Tonight I could hear the band without the handicap.  Great songs, powerful sound.  Be looking  for a review of the band’s upcoming CD.

PICK TWO: Annie Lynch
I happened on Annie quite by accident. She heads a folk band from Brooklyn called Annie and the Beekeepers, but is playing solo at the UMS. The church building where I started the afternoon also happens to be one of the venues, and she was playing there. Simple, pure vocals with acoustic guitar, set in the live acoustics of the church–it was one of those moments. (Annie gave me permission to share a song from her band’s latest EP–you can find it at the end of this post.  If you are local, you can catch her at the UMS again Sunday night at 7PM at the Irish Rover on S. Broadway.)

HONORABLE MENTIONS: I can always count on Megan Burtt and Churchill to give solid performances. I was also pleased to see the way Churchill is gaining momentum as a band. Their 11PM set packed out Moe’s Bar-B-Q.  Another shout-out goes to Science Partner, just for being quirky and entertaining.

We’re still not done yet…

Annie & the Beekeepers: “Again and Again”

Jul 242010

The UMS got into full swing Friday as more bands played in more venues. If you’re into this kind of thing (like me), it’s akin to being a kid in a whole row of candy stores.  All you have to do is walk down South Broadway, and music of many different kinds pours out into the streets from the various indoor (and outdoor) stages.

For me, Friday evening  for some reason was mainly retro night.  I even Tweeted about the irony that indie music is supposed to be progressive, but most of what I heard sounded like it had come from 4 to 8 decades ago. 

Forget 60’s retro–that’s so ’90s. No, this stuff sounded like it comes out of the Dust Bowl.  (One of my Facebook friends joked about the recession stirring the collective memory.)

Forget electric guitar; that’s so early 2000’s.  The bands that are truly chic today use string basses, banjos and mandolins. (I’m surprised no one has thought to throw in some washboard.)

My tongue is in my cheek, of course. Not all the indie bands are doing this, though the ones who are doing so are actually pretty good. The beauty of indie music is you’re free to play what inspires you, and there is a lot of diversity (I just happened upon a slew of acoustic acts tonight).  I just couldn’t help but chuckle at the thought of these twenty-somethings writing and playing music my grandparents would have liked.

The acts I caught all or part of tonight were:

  • Natural and the Disasters–indie folk/rock/something-or-other
  • Speakeasy Tiger–pop/rock with a retro ’80s glam vibe
  • Tim Bruns (frontman for Churchill)–country
  • Paper Bird–acoustic indie/folk with a bit of doo-wop thrown in
  • The Beaten Sea–alt-country/folk
  • The Centennial (formerly Meese)–atmospheric pop? (I covered this one for Examiner.com here.)
  • Carbon Choir–indie-rock

And my pick for the evening:  Tim Bruns of Churchill.

Admittedly, I had some bias here; Churchill is my current favorite local band. But left to himself, Tim has a country-leaning style all his own, and his lyrics are intelligent, emotional and thought provoking.

Carbon Choir ran a close second–but I could only catch the last few minutes of their act.

More to come…

Jul 232010

So this weekend in Denver, over 300 indie bands (both locals and passers-thru) are gracing 20-plus stages along South Broadway in the Underground Music Showcase. Often billed as Denver’s version of SXSW, it’s a great deal for music lovers.  Forty bucks for four days of music.  Not bad. :)  I have a lot of friends playing the showcase this year, so between showing them some love and catching new bands I haven’t seen yet, I’ve got my boat loaded.

So what am I doing in my few minutes of down time?  Blogging about it. :)

Seriously, I thought I’d keep a running diary through the four days, giving a few of my impressions, and a “top pick” for my favorite act each night.  So here goes…

DAY 1 (Thursday, July 22)

The UMS box office is in a vacant lot next to one of the many venues on S. Broadway.  I pick up my wristband, and discover that it’s one of those small plastic you-can-drink-in-the-bars kind of bands that is NOT refastenable, so if you take it off, you ruin it.  And it’s good for all four days, and you HAVE to wear it, not just carry it around.  This means I have to either keep it on for four days, or figure a way to re-fasten it day to day.  I choose option 2.

Opening night is the slowest, with only a few venues and artists starting off.  Still, I’m able to catch all or part of the sets of five acts, and I’m already impressed with the diversity just within the music I heard.  These are the acts I caught, and the best genre that describes them for me:

  • Alan Baird Project–indie rock
  • Chella Negro–Americana
  • Sarah Slaton–indie/acoustic
  • Paean–experimental/atmopheric
  • Jeremy Messersmith–indie/acoustic

My pick of the night: Paean

I had some prior experience with Paean, having reviewed their record. The down side of their set was that they are a larger band and were packed onto a tiny stage like so many sardines, and some of the bandmates had to have their backs to the crowd just to fit onstage.  Also, the vocals were too low in the mix, and when I could hear the lead singer, it was that strange, half-singing-half-screaming, I-am-in-great-pain kind of sound I’ve talked about before.  But there is a passion and vibe in the music of this band that is absolutely captivating, with songs that tend to start minimalistically, and crescendo to a fever pitch.  Once again, I found myself forgiving the vocals in favor of the music.

More to come!

Jul 102010

In the many attempts of indie music to break the mold created by the mainstream and come up with something new, I hear a lot of experimental rock that sounds more like chaos than anything else.  When you get a lot of these bands exploring all this new ground, ironically, they all tend to run together in their experimentalism.

But when Denver-Boulder band Carbon Choir sent me a copy of their latest release, High Beams, I was refreshingly surprised by their particular flavor of atmospheric rock.  Yes, it’s out of the mainstream, and yes, it’s experimental.  But it’s also highly intelligent music, blending reflective falsetto vocals with ethereal guitars and intricate (yet accurate) rhythms in a sonic mix that actually works.  You’ll probably hear Radiohead and Coldplay influences, but this is definitely not a carbon copy band. 

I look forward to hearing these guys play live, and since they are local, I expect I will soon.

Take a listen for yourself.

Carbon Choir: “Measure of Your Madness”

Download the record from itunes here: High Beams – Carbon Choir

Jun 302010

Ft. Collins indie singer/songwriter Danielle Ate the Sandwich has gotten a lot of national attention from her quirky YouTube videos, her witty stage presence and her ukulele-folky sound.

Tuesday, July 6 is the official release of her third self-released record Two Bedroom Apartment. It’s a definite expansion for Danielle, especially with the addition of several studio musicians for the project. In a recent conversation, Danielle told me the experience grew her musically: “They opened my eyes to what my songs COULD BE with the assistance of others. I usually shut people out of the process and have a hard time trusting people enough or a hard time with sharing the credit.  Working with the other musicians made me talk about the songs and think about them and hear them in new ways and let go a little bit.”

This is especially true of the song “Silver and Gold”, Danielle’s personal favorite on the record. “That’s one of the songs that CAME ALIVE with the other instruments on the track.  When I play it solo, it’s so empty–knowing what it sounds like on the record, it’s hard to even play it when it’s just me.”

Two Bedroom Apartment is available for pre-order now at Danielle’s website.

Danielle Ate the Sandwich: Silver and Gold

Jun 232010

So as if I didn’t have enough to keep me busy…I’m doing a bit of a game. :)

I’m a fan of local music, and I have several local bands and artists on my ipod.  When I’m out walking or doing whatever, I often put my ipod on shuffle, and I love it when a local band comes up.  So I’ve decided to tweet about it when it happens. :)

So here’s how it works. You’ll notice that I have put a Twitter feed widget on the sidebar of this blog.  You may also notice one or more entries there that begin with “LOCALS ON SHUFFLE:…”  (‘cuz I’m already doing this).  That’s what it will look like.  Every time a local band or artist comes up in shuffle mode, I will tweet a “LOCALS ON SHUFFLE” alert, and it will show up on the sidebar.  (If you follow me on Twitter and Facebook, it will show up there, too–as well as on my other music blog, The Developing Artist.)

So local Denver musicians, if you want some shout-outs in my Twitter feed, send me your music!  I don’t care if I fill up my ipod with local stuff–the more the better.  I’ll even review some of your stuff here, plus I’ll try and do a weekly blog post recap of the Locals that showed up on shuffle that week.  Just click the “Submissions” tab at the top right of this blog page to find out how/where to send your stuff.

BTW…I’ll be doing a similar thing for indie musicians outside the Denver area, because I have some of your stuff, too.  When non-local indie bands come up on shuffle, the tweet will start with “INDIES ON MY IPOD.” (Clever, huh?)

Jun 092010

If you’ve been around here much, you’ve probably noticed that I occasionally wax philosophical or offer advice to musicians and bands that nobody was asking for–but I give it anyhow, out of the goodness of my heart. :)

Anyhow, I have had some positive responses to some of those posts, and it just seemed that there ought to be a different place for that kind of thing.   So tonight, I’m rolling out a brand new blog called The Developing Artist, where musicians can find useful resources and information, encouragement, and occasional advice to help them on the path to success.  So if you’re a performing artist (or just have an interest in the artist-development side of things), go check out the inaugural post here.  If you like what you read, subscribe to it and share it with anyone you think might enjoy it.

This blog isn’t shutting down, by the way; we’ll still be putting up band and artist information here.

May 212010

I don’t know if there’s an official genre called retro-country.  (If there isn’t, I’m sure we could just make it up.  You can do that these days, you know.)

Anywho…if retro-country is a genre, that’s the best way to describe the sound of Denver locals The Hollyfelds.  (That’s FELDS, not FIELDS.)  Hearing their music and/or seeing them play live definitely reminds you of days gone by, when country was country-western, not just rock & roll put out to pasture.

And yet, there’s a modern element in there as well.  It doesn’t sound exactly like old-school country; there’s a distinct alt-indie vibe in there. Almost like an indie band went back in time to the fifties, attended a hoe-down (the retro meaning–keep it clean, folks) and came back sounding like this.  Or maybe the other way around, like a 50’s country band came to the future, picked up some alternative vibes, and went back…well, make up your own mind.  You get the idea. Either way, they are a fun band to listen to.

True to the retro vibe, the Hollyfelds are releasing a two-song “EP” this weekend, entitled, Lo Bueno, Lo Malo, Lo Feo, on 7″ vinyl record–just like the 45-speed records my kid once thought were just oversized CDs.  AND…true to the modern vibe that is also part of The Hollyfelds…the two songs will also be available by digital download.  You can hear one of the songs below.

The Hollyfelds: “How To Be Gone”

BTW…that EP title.  It sort of makes me want to whistle the theme song of a Clint Eastwood spaghetti western.  In Spanish. :)

If you’re in Denver this weekend, you can catch the Hollyfeld’s EP release party this Saturday, May 22, at the Meadowlark Bar.  Details are posted on my weekend picks on Examiner.com.

May 152010

Hailing from LA, Snow & Voices is the creative partnership of vocalist Lauri Kranz and multi-instrumentalist Jebin Bruni. Their third effort, Anything that Moves, is set to release on May 25.

Downtempo, atmospheric and haunting, Anything that Moves is a keyboard-heavy collection of songs, carried by simple drum and bass and overlaid by Kranz’s beautifully understated vocals.  A roster of top LA musicians round out the recording as well.

Check out the song, “I Am a Storm” below; see what you think.

Snow & Voices: “I Am a Storm”

May 112010

If you are into British electropop (or listen to American Top-40 radio), you have probably heard the song “Bulletproof” by La Roux.  It’s become a bit of a dance anthem, simple but catchy.

Interestingly, understanding who La Roux is can be a study in itself. La Roux is not frontwoman-redhead Elly Jackson (even though the moniker might suggest it). La Roux is a duo–a band.  However, the other half of La Roux, Ben Langmaid, doesn’t play live with the band; three other supporting musicians take that role.   So…La Roux is a duo, but you won’t see them play together, because one half of La Roux goes on tour with three other musicians, while the other half stays home.  Get it? :)

Another anomaly: Elly Jackson’s roots are in folk music.  Go figure.

Anyhow, today La Roux is releasing The Gold EP, a set of remixes and a live performance of Bulletproof.  It’s only available by download. Also, La Roux has announced summer tour dates in the US, including a stop in Denver.  Check it out below, and check out the video montage from Coachella.

5/30     Houston, TX                     House Of Blues
6/01      Austin, TX                         La Zona Rosa
6/02     Dallas, TX                           House of Blues
6/5        Denver, CO                        Ogden Theatre
6/7        New York, NY                  Terminal 5
7/14      San Diego, CA                    4th & B
7/15      Los Angeles, CA               Nokia Theatre
7/17     Chicago, IL                         Lilith Fair
7/18      Minneapolis, MN            Lilith Fair
7/20     Indianapolis, IN              Lilith Fair
7/21      Detroit, MI                         Lilith Fair
7/22     Montreal, QB CAN           Lilith Fair
7/24     Toronto, ON CAN            Lilith Fair
7/27     Washington D.C.              9:30 Club
7/28     Baltimore, MD                  Rams Head
7/29     Philadelphia, PA              Trocadero
7/31      Atlanta, GA                        Variety
8/1         Orlando, FL                        Social
8/3        Tampa, FL                          Czar
8/4        Ft.Lauderdale, FL           Culture Room
8/6        Miami Beach, FL              Mansion

Buy “The Gold EP” on Amazon